foundation fabric

основовязаное полотно (для корсетных изделий)

Plain woven, very strong, heavy cotton fabrics, made with ply warp and single weft, the picks of weft being placed very far apart. The fabric is used for foundation for tyres.

foundation fabric

A fabric made from coarse jute yarns usually one or two yards wide for floors, and narrower for stairs, etc. The weave is plain. This material is then covered with several layers of linseed oil mixed with ochre and other pigments and fillers, and afterwards printed and varnished. The foundation fabric for oilcloth for table covers is made from cotton yarns and is much thinner and more pliable than floor oilcloth. The production of oilcloth was known in 1316, when a French manuscript mentions the purchase of Toile Ciree for the funeral of John I.

A tufted carpet, the tufts being inserted into the foundation fabric and held without being knotted. They are the nearest approach to the hand-knotted Oriental carpets that are produced by machinery. The tufts are inserted by rows between the warp thread and are bound and held by the weft, and all tufts appear on the surface, none are hidden.

A special embroidery produced on the Schiffli machine. The pattern is either cut out, or the foundation fabric destroyed by painting on an acid which removes it.

Lace was originally a heavy texture more like embroidery and of two kinds, Lacis or "darned netting" and Cutwork. Laces, often worked in gold threads and coloured silks was also called " spiderwork." Lace is purely an English word, derived from the Anglo-Norman lacier, to lace, bind, tie or fasten, etc. The word appears to have been first used in 1519. It is a fabric of open mesh or net formed by crossing and intertwining threads. Lace was originally purely a hand craft, but today it is machine made as well. There are three main classes: - Point lace, pillow lace and machine-made lace. Point Lace - When the term " Point " is applied to a lace fabric it should mean that the lace has been made by the needle with a single line of thread, but it is now given to many machine-made laces. There are numerous laces sold as point laces and each has some feature not possessed by any other, many of these laces are known by the town where they are manufactured. Pillow Lace - These laces are made by intertwining threads on pins fixed in a cushion over a pattern fastened on to the cushion. Many pillow laces are part hand and part machine made such as Honiton, Valenciennes, Irish, etc. Machine-made Laces - There are three principal classes which can be placed (1) warp fabrics; (2) plain nets; (3) Levers' laces. Warp Laces - This is the earliest form of lace produced on a machine which was the invention of the Rev. William Lee in 1589, and was an adaption of the stocking frame. A warp lace is a series of upright threads that twist upon each other to form a fabric. There are no crossing threads. They are made in widths up to 10-in. and are the cheapest laces made. Plain Nets - John Heathcote, the inventor of the bobbin-net machine in 1809, laid the foundation of the machine-made lace trade. These are formed by a diagonal bobbin thread intertwining with the upright warp threads so that when the web is taken off the machine the mesh is honeycomb shaped. Other shapes followed, such as the square mesh. Cotton, silk, mohair and rayon are all used in making plain nets. Standard plain nets are as follows: - Brussels Net - Close mesh, specially selected fine yarns, in widths 36-in. to 80-in. The mesh varies up to 20 holes per inch. Both stiff and soft finish. Mosquito Net - Made in many qualities and closeness of mesh and from 54-in. to 108-in. Cable Net - Made up to 300-in. wide and from coarser yarns than other laces. This fabric is used as the ground fabric for curtains, etc. Bretonne Net - A very fine fabric, close mesh and finer yarns than Brussels, very soft and smooth finish. Point d'esprit - Fabrics with spots at regular distances. The yarns are not as good a quality as Brussels. Finished both soft and stiff. Paris Nets - Very stiff finish, used by the millinery trade for foundation work. Illusion Nets - A star-shaped mesh fabric, very fine yarns, used for veils and evening dress purposes. Silk Mechlins, or Tulles - A net more round than square in mesh and made from fine silk yarns. Malines is a tulle made in Belgium. Chantilly, or Silk Brussels - Similar to Brussels, but made from black dyed silk yarns. Chambray Nets - A finer all silk net than Chantilly. Levers' Lace Fabrics - These are various fancy laces and are produced on the lace machine fitted with a jacquard. Samuel Draper of Nottingham combined the jacquard with the lace machine in 1813. John Levers invented the machine. Varieties of these laces are Cluny laces. Torchons, Maltese lace. All-overs and numerous others.

The principal types are Axminster, Brussels and Wilton, and brief particulars of each are given below. A more detailed description is given under each name. Axminster is a cut fabric made any width and with any number of colours. It is not produced on a jacquard, therefore the pile does not show on the back. The design is developed by a series of tufts which are bound into the fabric, every tuft is on the surface and only the foundation cloth is seen at the back. There are two principal varieties of these carpets, the Chenille Axminster and the Machine tufted Axminster. The Chenille type is made by two distinct operations, that of manufacturing the chenille weft and that of weaving the carpet with this weft. The " fur or chenille is first woven on an ordinary loom (see chenille) and when cut into the strips is used as weft with a linen, jute or folded cotton warp. The chenille is made preferably with the leno way of shedding in order to bind the wool yarn more firmly. All the figuring weft is on the surface and not embedded in the fabric. The chenille weft is often inserted by hand, but several mechanical methods for doing the work are now in use. From three to six tufts per inch are usual. The chenille Axminster Carpet is also known as the Patent Axminster carpet. The machine-tufted type or Royal Axminster is also formed from pile tufts previously prepared and afterwards woven in the ground warp and bound into the fabric with a binding weft. The tufts may be inserted by hand and the pile is all on the surface of the fabric. This pile is a warp product, whereas for the chenille variety it is weft. Axminster carpets are a product of skill and patience and any number of colours can be used. There are several varieties of machine-made axminster carpets. Wilton is a cut pile fabric woven 27-in. wide from not more than six colours, the yarns are fine counts and design produced by jacquards. Brussels is made almost in the same way as a Wilton, but the pile is not cut and this shows as loops on the face. The yarn is much coarser than for Wiltons. Kidderminster - A carpet made from two or more plain cloths woven together. Each cloth is brought on the face for figuring as required. Turkish - These are hand made. The pile is put into the ground warp by hand as tufts and knotted round them according to pattern. There are two picks of ground weft between each row of pile. Tapestry - Carpets woven from printed warps. The pile is cut or left uncut as required for the design. Persian - Carpets similar to Turkish, being hand made. See also Axminster, Brussels, Kidderminster, Persian Tapestry, Turkish, Wilton Carpets, Body Brussels, Brusselette, Ingrain.

'sʌbstəns ['sʌbstǝns] illegal ['sʌbstəns]

I [paɪl] II 1. [paɪl] 2. III [paɪl] IV [paɪl] I 1. noun 2. verb - pile up II III noun pile (1) /paɪl/ FALSI AMICI: pile non significa pile nel senso italiano di tessuto sintetico. ♦ pile (2) /paɪl/ FALSI AMICI: pile non significa pile nel senso italiano di tessuto sintetico NOTA D'USO: - pile o fleece?-. pile (3) /paɪl/ FALSI AMICI: pile non significa pile nel senso italiano di tessuto sintetico. (to) pile (1) /paɪl/ (to) pile (2) /paɪl/ I [paɪl] II 1. [paɪl] 2. III [paɪl] IV [paɪl]